Monday, 21 June 2010

The 'feltspun' red scarf

I bought this wool fibre from e-bay. I bought it because it said it was already clean and ready to use... what I didn't realise is that it was described as good for felting because the process was already started :-(

It stayed in its bag for a wee while and then I decided I was going to do something with it... so I dyed it. I put in any shade of red/pink/orangey red I could get my hands on.

... spun the blessed mess and knitted it on to a lopsided scarf (learnt about the knitting unbalanced singles in the process).
So far it looks like this. I've spun and Navajo plied some Leaf colourway silk and I'm knitting little leaves to decorate it... so this one is...
To be continued
Also waiting to have fun with these mystery wool batts I blended on Sunday (There must be some Merino there as it's gorgeously soft and fluffy).
...and I'm also working on the Colour theory section of Textiles 1 - I'll be taking pictures and posting an OCA inspired blog in a little while... but not before or shortly after next weekend as I'm planning to visit Woolfest and I might be even more tangled in wool... shame! ;-)


The English Spring scarf (picture story)

I saw a rapeseed field at dusk, the sun was shining on it at an angle but there were purple clouds above... the colours inspired this scarf.

Merino soaking in water with citric acid.



Colourway design (the one in the middle)...
... preparing, testing colours and applying to roving:


Drying, carding, blending... and spinning. No photo of me knitting - just as well! :-)


And here it is the English Spring entrelac scarf.

Abducted by wool

Dear Miss, I couldn't write my blog because I was abducted by a strong spinning wheel, a boxfull of dastardly dyes and some fiendish fleeces...

Natural dyes: logwood, cochineal, turmeric in Merino hand-spun and Bowmont fleece.
Bowmont heavenly carded and blended clouds

Merino, Mediterraneo colourway, Navajo plyed to keep transitions

The naturals
fleece - Shetland shearling



Some batts from a previously carded Shetland
Nasty finding
Shetland spun
Silk, dyed in Leaves colourway and single spun (later to be Navajo plyed)
...and I have also been knitting.

Thursday, 6 May 2010

...and Stage 6

When I started to think about this exercise I thought it was meant to be based on an image from a well-known artist, so I spent some time looking through my books and thinking of how to represent textures. It was time well spent because when I re-read the instructions and realised I was to work from one of my own sketches I had a fairly good idea of what I was looking for. This is the image I chose:

 When looked through the viewer became this:
And from here I decided the two most interesting areas to work from would be the little brick wall  with the white flowers and the rose bushes/plant pot. But first I had to choose the colours and proportions which meant undertaking a mammouth task of tidying up my yarn stash... (that was a good by-product of this assignment). Then I placed yarn and ribbon by the sketch to see which ones would match the colours better.

I decided not to use buttons or bits of fabric cut outs. Instead I settled for yarn and ribbon in a rough hessian fabric. I dyed the hessian to emphasise the dominance of greens in this image and to provide a background to my chosen two areas of interest.
And here they are: the wall and the rosebushes.

There are a variety of stitches here, straight ones for the bushes, knots for the little flowers, long pieces of thick yarn couched for the log over the bricks, weave for a big round bush I made up, cross-stitch for sm roses, chain-stitch for the off leaf etc.


What have I achieved? Answers to the questions.


1. I do feel happy with the work. I've enjoyed doing it and thinking about it in the meantime. I found I don't like to discard ideas but it has to be done as otherwise I'd end up with a mess of cut out bits and pieces, ribbon, beads, buttons and everything from the box.

I experimented with 'metal embroidery' and made a sample of nuts, cable and other materials bought in the local DIY store. I didn't enjoy this. The work was hard and didn't look too good either. I guess I was expecting a uniform stitch of shinning metal and all I got was a very scratched and rough-skinned pair of hands... Still, another experience.

2. I see stitching as drawing with thread, yarn and fabric. I find both activities very much connected and this connection is becoming more and more obvious as I'm also dyeing my own yarn.

3. I find stitches to be the equivalent to brush or pencil strokes. Different stitches give different feelings and textures, not only that but also we have the distance between stitches, the direction and the patterns they create to express ourselves. The threads and yarns would be like the paint, again with different colours, textures, thicknesses etc...

4. I enjoyed looking through the sources of material to work from. I found a wealth of inspiration all around me, not only from the art books, but also from nature: plants and trees, animals, volcanoes, rocks, and the landscape around: buildings, roads, diverse objects - so many things. I think I chose a right variety of themes and I notice I tend to find most of my inspiration from nature - although I also worked from images of interesting buildings.

5. The two little samples work well as individual little yarn paintings. I noticed the process I went through when working on them is very similar to that I follow when painting. It gets to a point when the image I'm working from becomes incidental and the painting/embroidery takes a life on its own. It becomes a purpose in itself. For example, in the sketch there's a pretty shapeless bush behind the white flowers that 'wanted' to be palm shaped when I was stitching it... Things like that happen often when I'm sketching or painting. I do find difficult to faithfully reproduce anything. It's like I'm acting as a filter that colours and changes reality through my hands and body. I guess it would not be a human creation if I was to just copy it - it would lack soul.

Having said that I did try and be a little bit disciplined so that anyone looking at the embroidery and the sketch could see a relationship between the two little embroideries and the corresponding sections of the sketch.

6. At this particular moment I'm in love with yarn so I did prefer them for the texture creation. I've been abducted by fibres and yarns recently, I'm dyeing, carding, blending, spinning and knitting my own yarn, and very much looking forward to weaving it too. I'm experimenting with spinning different thicknesses and textures of yarn, single ply, two ply, merino, alpaca, silk, blue-faced leicester... so yes, Yarn (with a capital letter) is what inspires me right now.

7. I enjoyed trying different stitches. I would like to experiment more with colours but I guess that's the next chapter... I look forward to it. I did write some individual comments on the different pieces to accompany the pictures. I don't feel I've finished with experimenting with stitch and embroidery. In fact I don't think I'll ever feel I have 'completed' this process.

8. I can see the value of both ways of working, however I do find inspiration from the materials so I tend to start with an idea (either on my head or on paper) and then let it develop when I start seeing it taking form. I find this tends to produce more interesting results as there's an spontaneity that doesn't happen if I try to stick too strictly to an original plan.

9. There are many more techniques I'm looking forward to trying, like felting, weaving etc... as well as more embroidery stitches. I like to see the interplay with colours, different threads, fabrics, translucent effects, perhaps working with several bits of fabric and cutting bits off to show the fabric underneath, dyeing parts of it, adding beads, sequins, stones and bits from nature... all sorts of things. There are more ideas in my head that I've got time to sketch, let alone produce.

10. I would have liked my machine embroidery to work properly. For some reason it tends to break the thread very often. I tried adjusting tensions, bought different types of needle, used different fabrics, but to no avail, in the moment I tried free-hand embroidery the thread would break and got nowhere fast... perhaps I'll have to be a bit more creative with this and embroider using zigzag and plain stitch only... or get a new machine!

...and next comes Colour - I look forward to it.

Sunday, 2 May 2010

Back to planet OCA

Stage 5

I finally managed to get organised and get my notes together so that I can match them to the images to blog this exercise instead of just dumping them, so here it is: Stitches which create texture (this time with explanation):

Here are some of the stitches I made for this exercise. Initially I did some to see the interplay between the distances, the effect of the empty spaces, by using the same stitches and colours just spacing them differently (bottom of picture - full work on page 49a of the sketchbook).

Then I introduced different tones/shades of the same hue and combined them with different types of stitch to see the effects they produced.

Finally I looked into the feeling of the different stitches by adding a pattern - I found this will have more uses from a decorative point of view. It will be interesting and fun to experiment with different colours but for this section I stayed with blues.

For this one I varied the direction and size of the stitches. I love the movement it creates. This movement becomes emphasised by the colour change of the thread. I'm pleased with this little rectangle of stitches.

Here I looked for inspiration to the marks from the beginning of this section and reinterpreted them in embroidery. The concepts represented here were (top to bottom and left to right): slow, sharp, delicate, and sensual.
I found on the previous group that I had been quite close to the original marks so I decided to re-invent a little more, this time using a coloured background. I painted a plain bit of cotton and went to work.

For bumpy/lumpy I used a strong contrast thread to the blue backround and a smooth matching one. The feeling here was a soft smooth line that flowed until it finds the 'lumps' in the way of orange woven circles and then the red knots standing out from the fabric for extra 'lumpness'.

For sad I used dark, low saturation colours, as in the original marks. This time I added a variety of stitches, but all in the vertical, straight line that for me 'reads' sobriety and sadness.
And finally happy. As in the marks exercise happy has circles, bright colours and little happy patterns with dots and stars. The flowing line reminds me of party decorations, paper chains and fun times.

Monday, 12 April 2010

Still here... but very busy!

I haven't had much time to knit nor write lately.

This is because I've been:
experimenting with natural dyes (here in silk yarns)
dyeing wool with indigo...


embroidering...
and spinning!

Here are some samples of the colours I dyed (with natural substances):
cottons (fabric)
and yarns(wool)

So far I've used English Madder, Indigo, Logwood, Alkanet, Turmeric (I'm pleased with these) and Annatto, Golden Rod, Heather, Safflower, Marigold (nothing to write home about... OK if you like very pale shades). I've got some Ivy marinating and my next experiments will be Weld, Cochineal and a couple more I'm waiting to receive on the post... Pictures coming as soon as I've got some results.

I have also got some acid dyes and I intend to dye some silk skeins... and combine them with my homespun wool (blue faced Leicester and merino). I'm also waiting for some interesting fibres: milk protein, corn, ingeo and bamboo...

Some of the work I'm doing is for course assignments (embroidery), and I hope at the end all of it will count towards it. I'm certainly learning lots and I'm having such a great time!

At the moment all my 'insights' are being jotted down in bits of paper here and there... once the frantic activity and experimenting subsides I will put all my thoughts down on 'keyboard and blog'.

The natural dyeing is very interesting as I'm building a catalogue of colours and even though I think some substances are pretty much 'non-events' I'm still learning and find this to be valuable as I never know when I'm going to need soft shades. At the moment I do prefer darker and more saturated colour.

I'm hoping to go back to part-time work in May, so I will have more time to do what I love as right now I'm only dyeing/spinning/working on the course/knitting at weekends... I'm feeling tired but happy and with lots of ideas simmering.

I'm also looking forward to the chapter in colour. I still have to do a piece or two for Stage 6 of Assignment 1. I've looked through my art books and there are a couple of lesser known Klimt portraits I really like for textures and colours, however when I photocopied them for the scrap/course book, the colours came up all wrong! I have printed them from the internet but I'm still not happy with the colours I've got. I think I will work from the book's images and just use the print-outs to refer to (noting that those are not the colours I'm aiming for.) I've selected some scraps of fabric, ribbons, buttons and yarns for this exercise and I'm looking forward to getting stuck in ;-) ...and I'm waiting for more colours to arrive to add some of my 'creation yarns' to the exercise.

PS: I didn't dye a single egg this Easter!

More shortly. Bye for now.